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“There’s something about Cambodia that is far, far away from morality.” These are words of photographer Antoine D’Agata who travelled to Cambodia in order to find the limits of his own morality, with unconsciousness and desire being the main themes. Drug abuse, sexual acts and inertia underlie the unsettling images used in this film. The dark, stifling room of prostitute Lee in Phnom Penh functions as residence and studio of the photographer. As time passes, journalist Philippe Azoury visits his photographing friend who is starting to doubt his own unconventional method and his overall work as a photographer.